25067 Titanium White Rutile
Jackson's Artist Pigment
- Brand
- Jackson's Artist Pigment (see all 100 pigments)
- Compare
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- Company
- Jackson's (7 products)
- Medium
- Pigment, dry or paste
- Pigments
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- Transparency
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Opaque
- Drying time in oil
- Slow
- Oil Absorption
- 15–20 g linseed oil / 100 g
- Pigment particle size
- ≈ 0.50 µm
- Description from the manufacturer
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While Titanium White Anatase was synthesised at the beginning of the 20th century, Titanium White Rutile was introduced in 1937 and offers greater opacity and weathering resistence than its earlier counterpart. Titanium White dominates the white pigment market, and has replaced Lead White as the most popular white artist pigment. It is also used in the production of plastics, cosmetics, paper, medicines, house paints, and artist paints. Titanium White is very opaque and extremely strong in mixtures. It is a slow-drying pigment, particularly in oil paint. In oil paint, PW 6 also makes a soft and spongy paint film, so it is best mixed with Zinc White (PW 4) to balance out this tendency.
- Lab 2D planes
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- Sample
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watercolor
masstoneDisplay P3sRGB
- Value scale
- Color Atlases
- HLC H000_L095_C000
- Color Notation (CIE L*a*b*)
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L* 97.40 a* -0.16 b* 0.74 — D50 2°L* 97.40 C* 0.75 h° 102.21 — D50 2°
- Sample
- watercolor, masstone
- Paper
- Hahnemühle Echt Bütten CP 300gsm
- Device
- Nix Spectro 2
- Mode
- M2 (light source: Tungsten + UV-cut filter)
- CIE-L*a*b*
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L* 97.40 a* -0.16 b* 0.74 — D50 2°L* 97.39 a* -0.23 b* 0.73 — D65 2° ≈
- CIE-L*Ch°(ab)
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L* 97.40 C* 0.75 h° 102.21 — D50 2°L* 97.39 C* 0.77 h° 107.28 — D65 2° ≈
- CIE-V*D*
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V*ab 97.40 D*ab 2.71 — D50 2°
- OK-Lab + Ch°
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L 0.9775 a -0.0005 b 0.0019 C 0.0019 h° 103.9834 — D65 ≈
- Munsell
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Munsell — C ≈
- CIECAM02
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J 96.4 C 0.8 h° 101.7 s 5.4 Q 297.0 M 0.9 a -0.2 b 0.8 — D65 ≈
- RGB
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sRGB: r 248 g 248 b 246 hex #F8F8F6P3: r 0.971 g 0.971 b 0.966
- Spectral Curve
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- Disclaimer
- Read about the samples and measurement methodology.
- Color Mixes (experimental)
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Color mixer is an experimental feature using Mixbox: Pigment-Based Color Mixing. (Mixing within the sRGB gamut, assuming the colors were opaque colors.)Color mixer is an experimental feature using the paints' spectral curves, measured on masstone to predict the mixing path, assuming the paints were opaque.
- Next pigment on the chart
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25079
Zinc White